The` Word is Sacred; Sacred is the Word: The Indian Manuscript Tradition

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The` Word is Sacred; Sacred is the Word: The Indian Manuscript Tradition

The` Word is Sacred; Sacred is the Word: The Indian Manuscript Tradition

By Goswamy, B.N.

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The Word is Sacred; Sacred is The Word: The Indian Manuscript Tradition sets out to demonstrate the wealth and diversity of India’s manuscript traditions and to communicate a lasting impression of India as a multifarious and multicultural society that holds knowledge and knowledge systems in high regard. Some one hundred precious manuscripts, books, and related documents introduced in this book span a timescale of almost two millennia of Indian cultural history. Often elaborately illustrated, the works come from the subcontinent’s most important public and private collections. The project was a presentation of India as Guest of Honour at the Frankfurt Book Fair 2006. An eponymous exhibition had been organised by the National Mission for Manuscripts, New Delhi and the Museum of Applied Arts, Frankfurt, on the occassion.

The National Mission for Manuscripts was set up by the Ministry of Tourism and Culture, Government of India, in 2003 to document, conserve and provide access to the vast manuscript wealth of India spread in thousands of public and private repositories across the country and abroad.

It received the Best Book Award, 2007, in Reference Category from the Federation of Indian Publishers.

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CONETNTS

Preface, by Sudha Gopalakrishnan
Introduction: The Word is Sacred; Sacred is The Word - The Indian Manuscript Tradition, by B.N. Goswamy
The Catalogue
From Clay to Copper
The Making of a Manuscript
Fields of Learning
Veneration, Submission, Worship
Word and Image
Royal Commands and Plain Records
Glossary
Acknowledgements

THE AUTHOR

BN Goswamy, distinguished art historian, is Professor Emeritus of Art History at the Panjab University, Chandigarh. A leading authority on Indian art, he has received many honours, including the Jawaharlal Nehru Fellowship, the Rietberg Award for Outstanding Research in Art History, and the Padma Shri. Among his publications are—Pahari Painting: The Family as the Basis of Style (Marg, Bombay, 1968); Painters at the Sikh Court (Wiesbaden, 1975); Essence of Indian Art (San Francisco, 1986); Wonders of a Golden Age (Zurich, 1987); Pahari Masters: Court Painters of Northern India (with E. Fischer; Zurich, 1992); Indian Costumes in the Collection of the Calico Museum of Textiles (Ahmedabad, 1993); Nainsukh of Guler: A Great Indian Painter from a Small Hill State (Zurich, 1997); Painted Visions: The Goenka Collection of Indian Painting (New Delhi, 1999); Piety and Splendour: Sikh Heritage in Art (New Delhi, 2000), and Domains of Wonder (with Caron Smith; San Diego, 2005).

Title	The` Word is Sacred; Sacred is the Word: The Indian Manuscript Tradition
Pages	204
Illustrations	109
Year	2007
Binding	Hardcover with dust jacket
ISBN	978-81-89738-22-8